Sunday, October 31, 2010

Sew Basics: Bias Tape (part 1)


I am so inspired by all of you that are new to sewing, getting back into sewing, or are thinking about buying a sewing machine to start sewing.  I love all the emails you have sent me and conversations we have had over on facebook.  I haven't been the most consistent with my "Sew Basics" tutorials, but I'm going to try to put more of these together in hopes that you all will get as hooked on sewing as I am.

As most of you know, I am a self-taught sewer (well, mostly).  I've had a few lessons from my Grandma and grew up with my Mom sewing (though I never showed much interest).  Bias tape was very confusing to me when I first started sewing garments.  I couldn't figure out which side was supposed to go where.  If any of you are like me, I hope this tutorial will help ease the confusion. 

Here's the plan for Sew Basics: Bias Tape

Part 1: Sewing bias tape to a garment
Part 2: Making your own bias tape from fabric

After part two, I will show you how to take your homemade bias tape and turn it into corded piping.

Let's get started........

Bias tape is a narrow piece of fabric that is cut on the bias (45 degree angle) which allows it to be stretchier and more fluid than fabric cut straight across.  Because of it's stretchiness, bias tape works great for encasing raw curved edges and giving items a finished look.


Bias tape can be purchased in the notions section of your local fabric store.  You can usually find it near the zippers and ric-rac.  These days, most bias tape comes in basic, solid colors; however, you can find vintage bias tape (see above picture) in all sorts of different fun patterns.  To customize your own bias tape, you will need to make your own (we will discuss that in part 2). 

There are two different types of bias tape that is made in varying widths - single-fold and double-fold.

Single-fold bias tape has two sides folded inwards (one fold is slightly larger than the other) and it is not folded down the center.  Double-fold bias tape is basically single-fold bias tape, but folded in half again lengthwise.  Double-fold will encase an entire raw edge with bias on either side of the raw edge.  Single-fold will allow you to fold over a raw edge to the inside of a garment to finish the edge, but generally you will not see any bias tape on the exterior of the garment.  I like to use double-fold for most things.

Here is an example of how to sew double-fold bias tape to encase an armhole on a vintage pillow case dress:




Open up your double-fold bias tape.  If you look very closely you will see that one side has a larger fold than the other.  This is a very important detail to notice before you sew on your bias tape.



Open up the fold on the smaller side. When getting ready to encase an arm hole, you want to line up the raw edge of the garment with the raw edge of the smaller fold of the bias tape.  Pin this in place on the right-side of the garment.  So as you can see above, you will need to unfold the double-fold tape quite a bit for this step to work.  The larger fold will remain folded over.


Stitch in the fold along the raw edge of both the bias tape and the garment.  Sew on the right-side of the garment.


Here (picture above) is what your bias tape will look like once you have stitched in the fold towards along the side with the smaller fold.


Next fold your bias tape over to the other side (wrong-side of the garment).  If you notice in the picture above, the bias tape on the underside is ever so slightly wider than the top.  This is exactly what you want.


Now stitch as close to the edge of the bias tape as possible on the top side (smaller fold).  Stitching on this side will ensure that you will catch the larger fold (on the other side) and have perfect looking bias tape every time!  Important to note:  You stitched your original line of stitching on the right-side of the garment and you are doing your second set of stitching on the same side (right-side) of the garment.



Here is what your bias tape will look like once it is sewn into place.

I used the double-fold bias tape technique on this vintage pillowcase dress arm hole.  Using this method, I have no trouble sewing perfect bias tape every time!


You can use bias tape to encase any raw edge of a sewing project or simply use it to add a pop of color and style.  Try it on the bottom edge of a skirt, the bottom of a dish towel for some added decorative detail, or on the edge of a pocket. 

Single-fold bias tape works very similarly to double-fold.  The only difference is that when you fold over your bias tape to the wrong-side of the garment there will be nothing left on top (you won't see the bias tape from the right-side of the garment).  Instead you will just see a line of stitching on the fabric where you have sewn your single-fold bias tape to the wrong-side of the garment.  Personally I find double-fold bias tape to be easier and have a cleaner, more finished look, but use whatever your pattern or design calls for.

Once you master sewing bias tape, you will feel like you have come along way as a beginning sewer.  Honestly, I used to dread sewing bias tape, but now it is a piece of cake!  Don't let bias tape scare you, it can be a lot of fun and I will show you how to add your own special flare to projects in Sew Basics: Bias Tape (part 2).

Cottage Mama's Note:  If you have any questions, please email me at thecottagemama@gmail.com and I am happy to help.  We have lots of fun talking "sewing" over on The Cottage Mama facebook page, so come on over and join in the fun!

Link Love No.29!

Hi everyone, how was your weekend? I bet many of you had a wonderful time on Halloween. It all started on Friday, I had a Halloween parade to attend at my kid's school, after the parade, I went to three different class parties for each one of my children. Around 3 o`clock, there was a company Halloween party at my husband`s work. Then, there was a church party to go to. It was a great day, well, especially for the kids.

Now it is November; are you ready to switch gears for Thanksgiving? I am planning a "Thanksgiving giveaway" like I did last year, so start looking around for the blessings in your lives! :)

I have five links that I am going to spotlight for this week.

There is always something new to learn every week. Have you ever heard of "Paintable textured wall paper"? Suzy's Artsy Craftsy Sitcom used this paintable wall paper and did wonders to her stairwell wall. Isn't it pretty?


Simply Step Back used a men's Sweater to make a cute tunic top for herself! I think the new sweater fits her well and is very pretty.


Jcrew inspired floral ruffle top was linked by Welcome to the Good Life. There are many t-shirt repurposings out there, and I think this is one of my favorites! I want this top for myself!


Check out this well put together tutorial for a flirty flower pin by Twelve Crafts Till Christmas. I bet many of you are starting to thinking about Christmas presents for your friends and family (yes I am one of them). I think it is so cute by it self or as a part of the wrpping of a gift for Christmas.


Creating Comfort shared some amazing furniture redos. She has an eye for transforming something plain into something beautiful...Great job!


Usually, I do five spotlights... but I had to share this one for Halloween next year.
I was going through the links, and the title, "Ghost Poop", caught my eye... "What is that?" I thought. So I went to Can`t Stop Making Things. Isn't it so fun and clever?!


Thank you all for sharing your awesomeness (is that even a word?). Have a great start of the week everyone!

Happy Halloween


Happy Halloween from The Cottage Home!  
Hope you all have fun trick-or-treating with your little pumpkin heads - I know we will!!

SEAGOING HALLOWEEN
























(Illustration: Laurence Housman.) 

Trolling Project Gutenberg, I happened upon this old story by Jonas Lie (1833-1908), a beloved Norwegian author of the 19th-century. As best I can make out, it was one story in his two volumes of stories called Trold (troll). The story here was beautifully rendered from Norwegian by the British polyglot Robert Nisbet Bain (1854–1909). The book is illustrated with Art Nouveau drawings by Laurence Housman (1865-1959, younger brother of the poet A.E. Housman), including three of the four drawings in this post.




THE FISHERMAN AND THE DRAUG8


translated from the Norwegian by Robert Nisbet Bain (1893)
illustration by Laurence Housman 

 
ON KVALHOLM, down in Helgeland,1 dwelt a poor fisherman, Elias by name, with his wife Karen, who had been in service at the parson's over at Alstad. They had built them a hut here, and he used to go out fishing by the day about the Lofotens.

There could be very little doubt that the lonely Kvalholm was haunted. Whenever her husband was away, Karen heard all manner of uncanny shrieks and noises, which could mean no good. One day, when she was up on the hillside, mowing grass to serve as winter fodder for their couple of sheep, she heard, quite plainly, a chattering on the strand beneath the hill, but look over she durst not.

They had a child every year, but that was no burden, for they were both thrifty, hard-working folks. When seven years had gone by, there were six children in the house; but that same autumn Elias had scraped together so much that he thought he might now venture to buy a Sexæring,2 and henceforward go fishing in his own boat.

One day, as he was walking along with a Kvejtepig3 in his hand, and thinking the matter over, he unexpectedly came upon a monstrous seal, which lay sunning itself right behind a rock on the strand, and was as much surprised to see the man as the man was to see the seal. But Elias was not slack; from the top of the rock on which he stood, he hurled the long heavy Kvejtepig right into the monster's back, just below the neck.
























(Seal-folk listening to a mermaid's song. From a drawing by John Duncan. From here.)

The seal immediately rose up on its tail right into the air as high as a boat's mast, and looked so evilly and viciously at him with its bloodshot eyes, at the same time showing its grinning teeth, that Elias thought he should have died on the spot for sheer fright. Then it plunged into the sea, and lashed the water into bloody foam behind it. Elias didn't stop to see more, but that same evening there drifted into the boat place on Kvalcreek, on which his house stood, a Kvejtepole, with the hooked iron head snapped off.

Elias thought no more about it, but in the course of the autumn he bought his Sexæring, for which he had been building a little boat-shed the whole summer.

One night as he lay awake, thinking of his new Sexæring, it occurred to him that his boat would balance better, perhaps, if he stuck an extra log of wood on each side of it. He was so absurdly fond of the boat that it was a mere pastime for him to light a lantern and go down to have a look at it.

Now as he stood looking at it there by the light of the lantern, he suddenly caught a glimpse in the corner opposite, on a coil of nets, of a face which exactly resembled the seal's. For an instant it grinned savagely at him and the light, its mouth all the time growing larger and larger; and then a big man whisked out of the door, not so quickly, however, but that Elias could catch a glimpse, by the light of the lantern, of a long iron hooked spike sticking out of his back. And now he began to put one and two together. Still he was less anxious about his life than about his boat; so he there and then sat him down in it with the lantern, and kept watch. When his wife came in the morning, she found him sleeping there, with the burnt-out lantern by his side.


One morning in January, while he was out fishing in his boat with two other men, he heard, in the dark, a voice from a skerry at the very entrance of the creek. It laughed scornfully, and said, "When it comes to a Femböring,4 Elias, look to thyself!"

But there was many a long year yet before it did come to that; but one autumn, when his son Bernt was sixteen, Elias knew he could manage it, so he took his whole family with him in his boat to Ranen,5 to exchange his Sexæring for a Femböring. The only person left at home was a little Finn girl, whom they had taken into service some few years before, and who had only lately been confirmed.

Now there was a boat, a little Femböring, for four men and a boy, that Elias just then had his eye upona boat which the best boat-builder in the place had finished and tarred over that very autumn. Elias had a very good notion of what a boat should be, and it seemed to him that he had never seen a Femböring so well built below the water-line. Above the water-line, indeed, it looked only middling, so that, to one of less experience than himself, the boat would have seemed rather a heavy goer than otherwise, and anything but a smart craft.

Now the boat-master knew all this just as well as Elias. He said he thought it would be the swiftest sailer in Ranen, but that Elias should have it cheap, all the same, if only he would promise one thing, and that was, to make no alteration whatever in the boat, nay, not so much as adding a fresh coat of tar. Only when Elias had expressly given his word upon it did he get the boat.

But "yon laddie"6 who had taught the boat-master how to build his boats so cunningly below the water-lineabove the water-line he had had to use his native wits, and they were scant enoughmust surely have been there beforehand, and bidden him both sell it cheaply, so that Elias might get it, and stipulate besides that the boat should not be looked at too closely. In this way it escaped the usual tarring fore and aft.

Elias now thought about sailing home, but went first into the town, provided himself and family with provisions against Christmas, and indulged in a little nip of brandy besides. Glad as he was over the day's bargain, he, and his wife too, took an extra drop in their e'en, and their son Bernt had a taste of it too.

After that they sailed off homewards in their new boat. There was no other ballast in the boat but himself, his old woman, the children, and the Christmas provisions. His son Bernt sat by the main-sheet; his wife, helped by her next eldest son, held the sail-ropes; Elias himself sat at the rudder, while the two younger brothers of twelve and fourteen were to take it in turns to bail out.

They had eight miles of sea to sail over, and when they got into the open, it was plain that the boat would be tested pretty stiffly on its first voyage. A gale was gradually blowing up, and crests of foam began to break upon the heavy sea.

And now Elias saw what sort of a boat he really had. She skipped over the waves like a sea-mew; not so much as a splash came into the boat, and he therefore calculated that he would have no need to take in all his clews7 against the wind, which an ordinary Femböring would have been forced to do in such weather.
Out on the sea, not very far away from him, he saw another Femböring, with a full crew, and four clews in the sail, just like his own. It lay on the same course, and he thought it rather odd that he had not noticed it before. It made as if it would race him, and when Elias perceived that, he could not for the life of him help letting out a clew again.

And now he went racing along like a dart, past capes and islands and rocks, till it seemed to Elias as if he had never had such a splendid sail before. Now, too, the boat showed itself what it really was, the best boat in Ranen.

The weather, meantime, had become worse, and they had already got a couple of dangerous seas right upon them. They broke in over the main-sheet in the forepart of the boat where Bernt sat, and sailed out again to leeward near the stern.

Since the gloom had deepened, the other boat had kept almost alongside, and they were now so close together that they could easily have pitched the baling-can from one to the other.

So they raced on, side by side, in constantly stiffer seas, till night-fall, and beyond it. The fourth clew ought now to have been taken in again, but Elias didn't want to give in, and thought he might bide a bit till they took it in in the other boat also, which they needs must do soon. Ever and anon the brandy-flask was brought out and passed round, for they had now both cold and wet to hold out against.

The sea-fire, which played on the dark billows near Elias's own boat, shone with an odd vividness in the foam round the other boat, just as if a fire-shovel was ploughing up and turning over the water. In the bright phosphorescence he could plainly make out the rope-ends on board her. He could also see distinctly the folks on board, with their sou'westers on their heads; but as their larboard side lay nearest, of course they all had their backs towards him, and were well-nigh hidden by the high heeling hull.

Suddenly a tremendous roller burst upon them. Elias had long caught a glimpse of its white crest through the darkness, right over the prow where Bernt sat. It filled the whole boat for a moment, the planks shook and trembled beneath the weight of it, and then, as the boat, which had lain half on her beam-ends, righted herself and sped on again, it streamed off behind to leeward.

While it was still upon him, he fancied he heard a hideous yell from the other boat; but when it was over, his wife, who sat by the shrouds, said, with a voice which pierced his very soul: "Good God, Elias! the sea has carried off Martha and Nils!-their two youngest children, the first nine, the second seven years old, who had been sitting in the hold near Bernt. Elias merely answered: "Don't let go the lines, Karen, or you'll lose yet more!"

They had now to take in the fourth clew, and, when this was done, Elias found that it would be well to take in the fifth and last clew too, for the gale was ever on the increase; but, on the other hand, in order to keep the boat free of the constantly heavier seas, he dare not lessen the sail a bit more than he was absolutely obliged to do; but they found that the scrap of sail they could carry gradually grew less and less. The sea seethed so that it drove right into their faces, and Bernt and his next eldest brother Anthony, who had hitherto helped his mother with the sail-lines, had, at last, to hold in the yards, an expedient one only resorts to when the boat cannot bear even the last clewhere the fifth.

The companion boat, which had disappeared in the meantime, now suddenly ducked up alongside again, with precisely the same amount of sail as Elias's boat; but he now began to feel that he didn't quite like the look of the crew on board there. The two who stood and held in the yards (he caught a glimpse of their pale faces beneath their sou'westers) seemed to him, by the odd light of the shining foam, more like corpses than men, nor did they speak a single word.

A little way off to larboard he again caught sight of the high white back of a fresh roller coming through the dark, and he got ready betimes to receive it. The boat was laid to with its prow turned aslant towards the on-rushing wave, while the sail was made as large as possible, so as to get up speed enough to cleave the heavy sea and sail out of it again. In rushed the roller with a roar like a foss; again, for an instant, they lay on their beam ends; but, when it was over, the wife no longer sat by the sail ropes, nor did Anthony stand there any longer holding the yardsthey had both gone overboard.

This time also Elias fancied he heard the same hideous yell in the air; but in the midst of it he plainly heard his wife anxiously calling him by name. All that he said when he grasped the fact that she was washed overboard, was, "In Jesus' Name!" His first and dearest wish was to follow after her, but he felt at the same time that it became him to save the rest of the freight he had on board, that is to say, Bernt and his other two sons, one twelve, the other fourteen years old, who had been baling out for a time, but had afterwards taken their places in the stern behind him.

Bernt had now to look to the yards all alone, and the other two helped as best they could. The rudder Elias durst not let slip, and he held it fast with a hand of iron, which continuous exertion had long since made insensible to feeling.

A moment afterwards the comrade boat ducked up again: it had vanished for an instant as before. Now, too, he saw more of the heavy man who sat in the stern there in the same place as himself. Out of his back, just below his sou'wester (as he turned round it showed quite plainly), projected an iron spike six inches long, which Elias had no difficulty in recognising again. And now, as he calmly thought it all over, he was quite clear about two things: one was that it was the Draug8 itself which was steering its half-boat close beside him, and leading him to destruction; the other was that it was written in heaven that he was to sail his last course that night. For he who sees the Draug on the sea is a doomed man. He said nothing to the others, lest they should lose heart, but in secret he commended his soul to God.

During the last hour or so he had been forced out of his proper course by the storm; the air also had become dense with snow; and Elias knew that he must wait till dawn before land could be sighted. Meanwhile he sailed along much the same as before. Now and then the boys in the stern complained that they were freezing; but, in the plight they were now in, that couldn't be helped, and, besides, Elias had something else to think about. A terrible longing for vengeance had come over him, and, but for the necessity of saving the lives of his three lads, he would have tried by a sudden turn to sink the accursed boat which kept alongside of him the whole time as if to mock him; he now understood its evil errand only too well. If the Kvejtepig9 could reach the Draug before, a knife or a gaff might surely do the same thing now, and he felt that he would gladly have given his life for one good grip of the being who had so mercilessly torn from him his dearest in this world and would fain have still more.

At three or four o'clock in the morning they saw coming upon them through the darkness a breaker of such a height that at first Elias thought they must be quite close ashore near the surf swell. Nevertheless, he soon recognised it for what it really wasa huge billow. Then it seemed to him as if there was a laugh over in the other boat, and something said, "There goes thy boat, Elias!" He, foreseeing the calamity, now cried aloud: "In Jesus' Name!" and then bade his sons hold on with all their might to the withy-bands by the rowlocks when the boat went under, and not let go till it was above the water again. He made the elder of them go forward to Bernt; and himself held the youngest close by his side, stroked him once or twice furtively down the cheeks, and made sure that he had a good grip. The boat, literally buried beneath the foaming roller, was lifted gradually up by the bows and then went under. When it rose again out of the water, with the keel in the air, Elias, Bernt, and the twelve-year-old Martin lay alongside, holding on by the withy-bands; but the third of the brothers was gone.

They had now first of all to get the shrouds on one side cut through, so that the mast might come to the surface alongside instead of disturbing the balance of the boat below; and then they must climb up on the swaying bottom of the boat and stave in the key-holes, to let out the air which kept the boat too high in the water, and so ease her. After great exertions they succeeded, and Elias, who had got up on the top first, now helped the other two up after him.

There they sat through the long dark winter night, clinging convulsively on by their hands and knees to the boat's bottom, which was drenched by the billows again and again.

After the lapse of a couple of hours died Martin, whom his father had held up the whole time as far as he was able, of sheer exhaustion, and glided down into the sea. They had tried to cry for help several times, but gave it up at last as a bad job.

Whilst they two thus sat all alone on the bottom of the boat, Elias said to Bernt he must now needs believe that he too was about to be "along o' mother!"10 but that he had a strong hope that Bernt, at any rate, would be saved, if he only held out like a man. Then he told him all about the Draug, whom he had struck below the neck with the Kvejtepig, and how it had now revenged itself upon him, and certainly would not forbear till it was "quits with him."

It was towards nine o'clock in the morning when the grey dawn began to appear. Then Elias gave to Bernt, who sat alongside him, his silver watch with the brass chain, which he had snapped in two in order to drag it from beneath his closely buttoned jacket. He held on for a little time longer, but, as it got lighter, Bernt saw that his father's face was deadly pale, his hair too had parted here and there, as often happens when death is at hand, and his skin was chafed off his hands from holding on to the keel. The son understood now that his father was nearly at the last gasp, and tried, so far as the pitching and tossing would allow it, to hold him up; but when Elias marked it, he said, "Nay, look to thyself, Bernt, and hold on fast. I go to motherin Jesus' Name!" and with that he cast himself down headlong from the top of the boat.

Every one who has sat on the keel of a boat long enough knows that when the sea has got its own it grows much calmer, though not immediately. Bernt now found it easier to hold on, and still more of hope came to him with the brightening day. The storm abated, and, when it got quite light, it seemed to him that he knew where he was, and that it was outside his own homestead, Kvalholm, that he lay driving.

He now began again to cry for help, but his chief hope was in a current which he knew bore landwards at a place where a headland broke in upon the surge, and there the water was calmer. And he did, in fact, drive closer and closer in, and came at last so near to one of the rocks that the mast, which was floating by the side of the boat all the time, surged up and down in the swell against the sloping cliff. Stiff as he now was in all his limbs from sitting and holding on, he nevertheless succeeded, after a great effort, in clambering up the cliff, where he hauled the mast ashore, and made the Femböring fast.

The Finn girl, who was alone in the house, had been thinking, for the last two hours, that she had heard cries for help from time to time, and as they kept on she mounted the hill to see what it was. There she saw Bernt up on the cliff, and the overturned Femböring bobbing up and down against it. She immediately dashed down to the boat-place, got out the old rowing-boat, and rowed along the shore and round the island right out to him.

Bernt lay sick under her care the whole winter through, and didn't go a fishing all that year. Ever after this, too, it seemed to folks as if the lad were a little bit daft.

On the open sea he never would go again, for he had got the sea-scare. He wedded the Finn girl, and moved over to Malang, where he got him a clearing in the forest, and he lives there now, and is doing well, they say.
























(Illustration: Laurence Housman.)















line

[1] A district in northern Norway.
[2] A boat with three oars on each side.
[3] A long pole, with a hooked iron spike at the end of it, for spearing Kvejte or hallibut with.
[4] A large boat with five oars on each side, used for winter fishing in northern Norway.
[5] The chief port in those parts.
[6] Hin Karen = "the devil." Karen is the Danish Karl.
[7] The Klör, or clews, were rings in the corner of the sail to fasten it down by in a strong wind. Setja ei Klo = "take in the sail a clew." Setja tvo, or tri Klör = "take it in two or three clews," i.e., diminish it still further as the wind grew stronger.
[8] A demon peculiar to the north Norwegian coast. It rides the seas in a half-boat. Compare Icelandic draugr.
[9] See note 3 above.
[10] Være med hu, Mor. Hu is the Danish Hun.

Saturday, October 30, 2010

THE STRANGE WORLD OF MUSHROOMS, ABOVE AND BELOW

(Close-up of live mushroom coral taken by James Nicholson of the Coral Culture and Collaborative Research Facility, South Carolina. This image took 13th place at the 2010 Nikon Small World Photography Contest.)


Mushroom corals are members of the Fungiidae, a family of interesting marine animals in the phylum Cnidaria, which includes corals, anemones, and jellyfish, as well as some aquatic species. 


Unlike the more familiar stony, or reef-building corals, most mushroom corals are not polyps roughly the size of ants living together in colonies that take the form of, say, staghorn corals.

(Heliofungia actiniformis. Photo by Samuel Chow, courtesy Wikimedia Commons.)


Instead most are free-living solitary polyps that grow to relatively enormous sizes. Heliofungia actiniformis (above) can reach 50 centimeters/20 inches in diameter. Believe it or not, the photograph above is of a single polyp.


(Fungia fungia. Photo by Jon Zander, Digon3, courtesy Wikimedia Commons.)


Many mushroom corals look dead or bleached until their tentacles emerge, generally after dark.


(Photo by Silke Baron, courtesy Wikimedia Commons.)


They share some interesting traits with their terrestrial (mostly) namesakes, the fungi, or mushrooms. 


Shape obviously. Though mostly it's the juvenile fungiids, growing on stalks, that resemble terrestrial fungi. Sorry can't find any pictures of them.


(Lycoperdon perlatum. Photo by Dohduhdah, courtesy Wikimedia Commons.) 


Mushrooms of the land are also amazing organisms. Enough so as to warrant a kingdom all their own, the Kingdom Fungi, separate from the plants, the animals (including mushroom corals), and the bacteria. 


























(Photo by Dohduhdah, courtesy Wikimedia Commons.) 


Genetically, mushrooms are more closely related to animals than plants.




(Portobello mushroom, Agaricus bisporus. Photo by Chameleon, courtesy Wikiemdia Commons.)


This seems pretty obvious to anyone who dines on mushrooms. A portobellowhich is simply the older fruit, or pileus, of a button and a crimini mushroomis downright meaty tasting.


(Photo by cyclonebill, courtesy Wikimedia Commons.


Of late, a few discoveries about mushrooms are bending our notions of time and space in the living world.


 (Armillaria ostoyae. Photo by Eric Steinert, courtesy Wikimedia Commons.) 


A clonal colony of honey mushrooms (Armillaria ostoyae) in Oregon has been found to extend across more than 965 hectares/2,384 acres of forested mountains.


The colony is estimated at between 1,900 and 8,650 years old.




(The unreleased spores of a morel mushroom {Morchella elata} magnified 40 times CORRECTION: taken with a 40X objective lens. Photo [and correction, see Comments, below] thanks to Peter G. Werner, courtesy Wikimedia Commons.)


The reproductive strategies of the Kingdom Fungi are equally exuberant. Many species reproduce sexually and/or asexually, depending on the stages of their life cycle and on environmental triggers.


In sexual reproduction, compatible individuals may combine by fusing their threadlike hyphae (the parts we usually don't see, underground or inside rotting trees) together into an interconnected network. As if humans mated by first fusing our bloodstreams.


The video below highlights, with the help of lasers, tiny mushroom spores.



Secret Sounds of Spores: Introduction from The Amazing Rolo on Vimeo.


The second video is part of the same ongoing beautiful fusion of art and science hyphae. Wish I could get to Edinburgh to see the installation.



The Boroscilloscope from The Amazing Rolo on Vimeo.


The release of mushroom spores is spectacularly reminiscent of spawning corals.





In the photo below you can see the tiny orange eggs being released by a female mushroom coral (Fungia scutaria) spawning at the Hawaii Institute of Marine Biology in Oahu. Looks kind of psychedelic.


(Photo by Jake Adams. From Advanced Aquarist's Online Magazine.)


Researchers from Japan recently discovered that mushroom corals can change sex and back again, a talent known as  sequential hermaphroditism. It's not all that unusual in the deep blue home. Some of the echinoderms, like urchins and sea stars, along with some of the crustaceans, mollusks, and bristle worms gender shift every which way too. 


In the mushroom corals studied so far, the smaller individuals are generally males and the larger individuals females. This makes sense when you consider the different time-and-energy investment required to make eggs versus sperm.


Mushroom corals, in their adult form, do have the ability to move, albeit very slowly, via three known mechanisms: by regulating buoyancy and floating away; by growing a hydromechanically adapted shape and floating away; or by creeping away. Motility enables them to seek out the sunniest locations on the reefsunlight fuels their endosymbiotic bacteriaand to escape being overgrown by other corals.


But might they be sprightlier than we think? 





(Mushroom coral eating moon jellyfish. From Coral Reefs.) 


Recently mushroom corals living in the Gulf of Aqaba were observed eating moon jellyfish (Aurelia aurita). How did they procure the wandering jellies? No one knows.


The papers:

  • B. A. Ferguson, T. A. Dreisbach, C. G. Parks, G. M. Filip, and C. L. Schmitt. Coarse-scale population structure of pathogenic Armillaria species in a mixed-conifer forest in the Blue Mountains of northeast Oregon. Can. J. For. Res. 33(4): 612–623 (2003). DOI:10.1139/x03-065.
  • Yossi Loya and Kazuhiko Sakai. Bidirectional sex change in mushroom stony corals. Proc Biol Sci B. 2008 October 22; 275(1649): 2335–2343. DOI: 10.1098/rspb.2008.0675.

UPDATE: Thanks to Joe Schmidt for sending along a view (below) of the coral fungus growing in a tree in his Illinois neighborhood. Seems a good looking case of convergent evocation.

























(Photo by Joe Schmidt.)

Friday, October 29, 2010

Fall Gingerbread and Transferware



One of my favorite fall breads is gingerbread. There's just something about ginger, cinnamon, cloves and rich molasses that make it so delicious.


I love to pair fall foods with my brown transferware. I'm certain it makes everything taste better.

I purchased the transferware several years ago when I came across them at Home Goods. I bought twelve bowls, salad plates, and dinner plates as I thought they would make wonderful Thanksgiving dinner ware.


This is what the pattern looks like. I love the birds with the flower adornment.


This is the mark on the back.


This monogrammed 'B' silverplate was my Grandmother's everyday ware, but I keep it tucked away for special occasions. I actually found an entire set of this pattern at a flea market, but without the monogram. I wonder where one would bring silverware these days for monogramming?

Gingerbread Recipe:

2 cups organic all-purpose flour
1 1/2 teaspoons ground ginger
1 1/2 teaspoons ground cinnamon
1 teaspoon baking powder
1 teaspoon baking soda
1/2 teaspoon salt
1/8 teaspoon ground cloves
3/4 cup low-fat organic buttermilk
1/2 cup organic sugar
1/2 cup organic molasses
1/4 cup organic low-fat milk
1/4 cup organic canola oil
2 large organic eggs

Preheat oven to 350 degrees. Coat 9-inch square baking pan with cooking spray.

Combine flour through cloves in a large bowl with whisk. In a separate bowl, combine buttermilk through eggs and stir with whisk. Pour into flour mixture, stirring until moist.

Bake for 45 minutes or until done. Cool on wire rack for 10 minutes and then remove from pan. Enjoy.

Happy last weekend of October to you! xo

Thursday, October 28, 2010

Taste of the season ~ Butternut Squash Soup ~


I have been in a cooking mood lately. I have tried some new recipes, and also I have been experimenting with the pressure cooker. It is fun.

Several days ago, I made this butternut squash soup. I have been wanting to make a "fall soup", and when I was at the grocery store, I bought a butternut squash impulsively. Without knowing exactly what am I going to do with it.

I googled "Butternut Squash Soup" and read many recipes and reviews (well, I didn't want to waste the squash...). I found a recipe here. It sounded easy and tasty, also, it got so many positive reviews. I had to try it.

Mmmm... It turned out good. It was so yummy.

I tweaked the recipe a little, instead of cutting it small and boil it, I cut the squash in half and baked it. Also, I used sour cream instead of cream cheese, because I didn't have any. The soup was very thick. I think I am going to make it slightly runnier next time, but I loved the taste.

It is getting cold, what have you been cooking in your kitchen lately?

Two Little Pumpkin Heads


I feel so relieved that the girls Halloween costumes are complete.  I went back and forth for several weeks try to decide what they were going to be, but could not decide.  Finally, I took the girls to the fabric store and let Savannah decide. 

I pulled out the Simplicity Halloween costume book and she said she wanted to be a pumpkin.  Perfect!  Not the most creative costume idea, but definitely a classic.  I mean really, how long will they let you dress them up as pumpkins?  Not long, I suppose.

So here is the pattern we settled on.


Today was Savannah's ballet class and they were all supposed to dress up in their costumes.  Not wanting to make Matilda feel left out, I dressed her up too.


Here are my two little pumpkin heads waiting for Savannah's class to begin.  They are looking and acting more and more like sisters these days.  I love it!  I have to admit that the idea of having two little ones 16-months apart scared me in the beginning, but I am realizing more and more that it is actually quite a blessing.

After Savannah went into class, I had to snap a few pictures of my littlest pumpkin head.  She does not like to wear hats (unlike her sister), so I made sure to put a ribbon tie on her little hat.


Here's Miss Matilda thinking about trying to take her hat off.  The ribbon tie worked, she kept her hat on!



After ballet class was over, I took the girls to a local pumpkin patch to take a few more pictures of them in their costumes. 




I have a hard time following patterns exactly.  It's probably the same reason I have trouble following recipes.  I always like to make it my own by putting my own spin on it.  I turned this costume into more of a pillowcase dress, drew my own faces, and changed up the hat a little bit.  I do, however, think patterns are wonderful for help with sizing and inspiration.




The main fabric is orange fleece and the black, green and tan are all felt.  I love working with fleece.  It's so easy to sew and you don't have to worry about serging or finishing the edges.  Not to mention the fact that this costume will be warm and toasty trick-or-treating in the cool October air.


I just love these two little pumpkin heads!

Cottage Mama's Note:  This costume was very simple to sew - perfect for beginners!  If you have not made your child's costume yet, you could probably get this done in about an hour or two.  So if you have an hour to spare, go for it!